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F1 Launches Exciting Partnership with Top Social Media Star

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Highlights

  • Formula 1 partners with Amelia Dimoldenberg for YouTube mini-series
  • Series titled Passenger Princess filmed during 2025 Belgian Grand Prix
  • Drivers George Russell, Oscar Piastri, Oliver Bearman, Carlos Sainz instruct
  • Series combines Amelia’s interview style with Formula 1’s racing thrills
  • Aims to attract younger fans and broaden Formula 1’s audience
  • Available on Amelia’s YouTube channel, produced by Dimz Inc.

Formula 1 launches a partnership with Amelia Dimoldenberg for a YouTube mini-series, Passenger Princess, filmed around the 2025 Belgian Grand Prix, targeting younger viewers and expanding the sport’s digital reach.

Dimoldenberg learns to drive on camera, guided by George Russell, Oscar Piastri, Oliver Bearman, and Carlos Sainz. Episodes publish on her YouTube channel and are produced by Dimz Inc.

The format blends Amelia’s interview style with paddock access and circuit action, offering softer entry points without compromising the championship’s competitive narrative.

Filmed at the 2025 Belgian Grand Prix, Passenger Princess features Russell, Piastri, Bearman, and Sainz as on-screen instructors.
F1’s social media strategy accelerating audience growth
Image Credit: Socially Powerful

Chicken Shop Date, launched in 2014, already intersects with Formula 1 after Lando Norris’s appearance, underlining crossover appeal between mainstream entertainment and elite motorsport.

Commercially, the project supports F1’s platform strategy, prioritising native creator channels for reach while respecting teams’, drivers’, and broadcasters’ rights frameworks.

Chief commercial officer Emily Prazer positions Passenger Princess as an access point for younger fans, leveraging Spa’s spectacle to humanise drivers without diluting on-track jeopardy.

Episodes premiere on Amelia Dimoldenberg’s YouTube channel and are produced by Dimz Inc.

Media rights head Ian Holmes highlights Dimoldenberg’s originality and global resonance, framing the series as long-tail content that complements live coverage rather than competing with it.

Influencer landscape around Formula 1 content
Image Credit: Influencer Intelligence

For newcomers, the series can contextualise F1 within the broader ecosystem, from rallying to endurance, with resources on types of motorsports aiding understanding.

It also broadens comparisons across series, where cultural and technical contrasts, such as F1 vs NASCAR, help frame why Formula 1 emphasises aerodynamics, strategy, and global venues.

F1 positions the series to engage younger fans while preserving competitive integrity and broadcast value.

The timing aligns with a busy 2025 calendar, including Singapore, the United States, and Mexico, while title protagonists like Oscar Piastri and Lando Norris sustain mainstream interest.

Overall, Passenger Princess functions as a gateway, using personality-led storytelling to attract non-fans, then pointing them toward the championship narrative and its competitive stakes.

Visual Summary

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F1 gets a new co-driver!
Amelia Dimoldenberg teaches F1 drivers how *not* to drive
in Passenger Princess

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Russell

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Piastri

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Bearman

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Sainz


Motorsport meets pop culture 🚗💬
F1’s new ride to Gen Z

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Streaming 2025 Belgian GP week on
YouTube: Passenger Princess
Turning F1 fans into comedy fans (and vice versa)
Daniel miller author image
Daniel Miller

Daniel Miller reports on Formula 1 Grand Prix weekends with race-day analysis, team-radio highlights, and point-standings updates. He explains power-unit upgrades, aerodynamic developments, and driver rivalries in straightforward, SEO-friendly language for a global F1 audience.

Articles: 2295

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